Tuesday, June 8, 2021

Historical background of The Murder in the Cathedral

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The Rock was an essential step in T.s Eliots theatrical apprenticeship.In it he taught himself how to write choral lines in greek fashion and in the style of the english morality playsEveryman.A request for a pageant play to raise funds for church building started Eliot off on his quest for a modern poetic drama.The effectiveness of the Rockchoruses ensured that the device would become an important feature of Murder in the Cathedral,although in the later the effects were more varied and dramatic.


The Canterbury Festival had begun in 18 with John Masefields The Coming of Christ.Canterbury was not only the arch-diocese of the country ;it was the most ancient Christian shrine in the land ,santified by the hooly blisful man whose cult was the reason for Chaucers Canterbury Piligrims journey.When George Bell, Bishop of Chicester, invited Eliot to write for the 15 Canterbury Festival the poet still chose the martyr for his subject despite a 1- production of Tennysons play.


The conditions were congenial to Eliot.He had a Christian subject and a Christian audience to be gathered at one of Europes most famous Christian shrines.He had a director withwhom he could work, and he had the chance to further the cause of poetic drama.The topic martyrdom attracted Eliot ,as did the nature of the events and its significance for a modern audience. That significance was brought out through the choruses, and the emotional structure of the play is based on them rather than on Thomass exercise in self-analysis.For that was the point of the Festival;the ordinary human response to the exceptional events, the martyrdom which repeats and reminds us of Christs own sacrifice. Ritually the play comments a fresh on an act whose meaning may have been lost in the familiarity of the outward story.


The play had the advantage of referring to a well-known, highly dramatic story of a confrontation between two powerful personalities, both historically and spiritually significant.The story was taught to all as a central myth of teh english nation. although Eliot chose not to focus his action upon the conflict of king and chancellor it broods over the play, putting pressures on Thomas and making the spiritual dilemma rael by providing it with its context in this world; the struggle between Henry and Thomas is embedded in the fabric of Eliots play despite its not being the action itself. The use of an historical subject facilitated the invention of a modern verse play partly because an audience accepts heightened expression as natural to historical settings.


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