Cloning

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Genetic engineering has been the up and coming field of biology. Gregor Mendel developed genetic engineering rapidly since 18. He started working with peas and from this, he developed Laws of Genetics. From this law, genetics started to develop rapidly and in 185, human genome project began. In Vitro Fertilisation (IVF) was developed by Gynaecologist Patrick Steptoe and his partner Robert Edwards. It first started in 171. The first success was in 175 when a human embryo was inserted successfully in the body of its mother. Unfortunately, the pregnancy developed in the fallopian tube, which caused an ectopic pregnancy. The first IVF baby was born on 5 July 178 at Oldham General Hospital. Soon after that, R.Stillman started experimenting on human cloning at George Washington Medical centre. On 17, Roslin institute developed transgenic cloned sheep called Dolly. Now, human cloning could easily be done.

Human cloning would lessen the worth of individuals and restrained respect for human life. Human life is worth it because it is limited and unreplaceable. With human cloning, human life could be replaced and therefore, life is worthless. Humans are unique in their own way. No one have the same identity. Even identical twins are different in their own way. They have their own talents and thoughts. Clones, however, are different from identical twins. Clones are made and it would not worth the same as a child. Even though parents could clone a child that is dying, it would not worth the same as their original child. Human lives should not be replaceable and it should be valued more.

Human cloning might be used commercially to gain financial. Human cloning could clone human organs. These human organs could be traded for finance. Then the human body would worth no more than animal's body. There would be a 'human farm' and people would start trading human organs. This would be a fundamental desecration to moral respect and dignity of people, treating the human body as an object to be traded in a marketplace. Babies will no more be an outcome of love but bought from a marketplace.

-cant remeber, but there was bibliography-

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Dating comparisons between the U.S. and Mexico

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Dating comparisons between the U.S. and Mexico

The etiquettes of dating differ among the many existing cultures of this world, all of which base their values and morals upon their own structured societies, often following ancient customs. The United States and Mexico are no exceptions. Still, the most noticeable distinctions are all linked to our innermost desires, or the ego. In almost every case, differences in these dating rituals represent the levels of protection that parents offer to their children. Mexican families tend to be more protective by sending younger escorts along with the couple to prevent the male from misbehaving. This is very understandable since Mexicans place a greater emphasis on families being together. American families send couples in groups, but as they turn sixteen, they tend to date on their own, without parental supervision.

The process of finding a companion to accompany someone on a date is similar in the United States and Mexico in many ways. Friends can usually meet and arrange dates during social events such as church services, parties, or school hours. The male is typically the person who asks if a particular girl will join him on a date. Both countries also have cautious parents who often try to protect their children with mild forms of intimidation and 'chaperoning'. Chaperoning, or other forms of supervision are used to make sure that the dating couple act responsibly on their date.

Despite the apparent similarities between our two societies, drastic differences dwell in our dating customs. One major difference is that Americans usually date at younger ages than do Mexicans. However, Mexicans usually send younger family members along on dates to prevent any rambunctious behavior from occurring, while the U.S. sends couples out in groups. Couples only date singularly when they are older and have won their independence from the restrictions set forth by their parents. Until then, Mexican families regularly introduce the boy to the girl's mother to make sure that the boy "understands" the proper courtship restraints.

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The vast array of differences in these two cultures is, as I have already stated, due to the bonds shared between family members. The Hispanic communities uphold family values and place relatives in high regard. Thus, parents will send younger children from the family to accompany the couple, discouraging either party from insulting, cheating or 'moving too fast' with each other. This is entirely in an effort to protect both couples while they are on their date. Other dissimilarities are due to economic tribulations. Many Mexicans in the lower classes of society are unable to date because dating consumes too much time and money. Consequently, dating is a procedure that is related to cultural customs and other applicable situations. The variations in dating between the Mexican and American cultures are therefore due primarily to local traditions.

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The Gender Transformation of Caesar

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Shakespeares Julius Caesar opens with the concurrent celebrations of Caesars defeat of Pompey and the annual fertility festival of Lupercal. The coupling of the two historically separate events each celebrating distinct gender roles dramatically highlights the importance of gender characterization. Romes patriarchal society demands a leader who embodies the virile spirit of the state with leadership marked by strength, courage, and constancy. Caesar quite fittingly assumes this role as he returns valiant and victorious from the battlefields; thus, in order to remove him the strong ruler of Rome, Caesars enemies must retrench his masculinity. Roman society considers women as the embodiment of weaknesses, thinking that their physical, mental, and political inferiority make them of little use beyond reproductive purposes, explaining why aspirants to the throne feminize the identity of the masculine warrior figure to position him as unfit for the crown.

The portrayal of the two female characters of the novel, Portia and Calphurnia, captures the prevailing stereotypical perceptions of women. Caesars wife, Calphurnia, demonstrates womens predisposition towards fearfulness and superstition when she pleads with Caesar to remain at home after dreaming that a statue made in the likeness was Cesar pouring forth blood. Calphurnia establishes the sentiment that fear is a feminine trait with her entreaty to Caesar asking him to use her anxiety as an alibi, saying, Do not go forth today. Call it my fear. (..50). Caesar agrees to this arrangement temporarily with a veiled acknowledgment of the reality- a rhetorical question relating to the fact that he is afeard to tell the graybeards the truth (..67). Caesar then immediately displays his weak resolution when Decius easily persuades him to reverse his earlier decision, and he proceeds to greet the senators, demonstrating another hazardous trait associated with women, inconstancy. Portia similarly behaves in accession with the low expectation of women and demonstrates how weak a thing/ The heart of woman is! (.4.40). She proves herself untrustworthy and reveals to Lucius Brutus involvement in the conspiracy because is overcome with fear. Caesar suffers a great insult through his association with the weak will of woman because in Roman society masculinity is the gauge of Roman worthiness.

Cassius undertakes a dual strategy in rendering Caesar unfit for the position. By listing moments of weakness in Caesars past which illustrate his feminine tendencies, Cassius systematically dismantles the virility of a figure who should be the embodiment of the Roman ideals of masculinity, but he simultaneously seeks to tag Caesar as an immovable, tyrannical leader to provide a solid moral rationale behind the conspiracy. Cassius revelations underscore the question of how [a] man of such feeble temper should/ So get the start of the majestic world (1..1-10). Cassius rescues him from drowning when Caesar cries Help me, Cassius or I sink! (1..111). Similarly, Cassius reveals how Caesar cries for water as a sick girl (1..18). Continuing this attack, Cassius tells of how Caesar, like a woman, is superstitious grown of late (.1.15). Ultimately, Caesars vulnerability becomes fully realized through Cassius projections because they provide the impetus for Brutus to join the cause.

Providing further contrast to the complaint of Caesars strong, inflexible leadership are the physical imperfections which the conspirators exploit as signifiers of feminine weakness. Caesars physical imperfections include the possibility that he is deaf in one ear (1..1) because he must turn his head to hear someone speak (1..17). Compounding this defect, Caesar is also subject to epileptic fits. Caesar adds credibility to claims questioning his fitness for leadership by faltering at the very moment that he is to receive the crown (1..47-54). Brutus comment Tis like he hath the falling-sickness both literally and figuratively foreshadows the progressive devolution of Caesars masculinity which ultimately culminates in his bloody death.

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Caesars death is wrought with imagery of blood and tears that parallels a birthing process in which the mothers life becomes a sacrifice for the survival of the child. Perhaps in death Caesar is able to create a new Rome, lending an interesting twist to the competition over leadership of this new state between his sons Brutus and Anthony. Antonys prediction that Domestic fury and fierce civil strive/ Shall cumber all part of Italy announces that Caesars murder threatens disruption of the motherland of Rome (.1.6-64). Because the woman is the ruler of the domestic realm the use of the word domestic inadvertently places the Caesar in a feminine role. Caesar is symbolically the highest authority of a feminine entity, considering that Rome is classified as a feminine noun. Conjuring up further domestic imagery is Antonys comment that mothers shall but smile when they behold/ Their infants quartered with the hands of war (.1. 67-68). Perhaps by placing Caesar in an unconventional mother-like role, Shakespeare allows for him to conceive the children that his infertile wife, Calphurnia, is never able to, thus, allowing for the full realization of Lupercal, the event that symbolically opens the play. In Calphurnias foreboding dream of Caesars statue, Which, like a fountain with an hundred spouts, / Did run pure blood, and many lusty Romans/ Came smiling and did bathe their hands in it (..76-7), Caesar becomes a nursing mother as his, suggesting that Caesar provides mother-like lifeblood to his country in his death, reaffirming Decius earlier interpretation of Calphurnias dream that from you [Caesar] Rome shall suck/ Reviving blood (..87). A variation of the notion of Caesar as a reproductive figure is the notable parallel between the bloody images used to discuss Caesars body and the menstrual of women. The phrases all the while ran blood (..11) and bleeding business (.1.168) accompanying this discussion create a distorted image of the reproductive cycle. Assuming that Caesar does achieve a mutated form of reproduction, Shakespeare fittingly develops a bizarre and twisted characterization of sexuality.

Caesar becomes further feminized when his figure no longer is that of an ideal valiant warrior which inspires men; rather the feminine vulnerability of his wounded stirs feeling of pity. Brutus comment Had I as many eyes as thou hast wounds/ Weeping as fast as they stream forth thy blood (.1.00-01) relates the transformation of a world recently clad with armory and weapons to state reduced tears. Caesar becomes like a woman who has been completely violated by ruthless hunters who requires a strong male-like figure to vindicate the injustice which has been done to her [him]. Calphurnias earlier use of the phrase lusty Romans adds a sexualized dimension to the regicide, allowing for the possibility that the hunters metaphorically rape Caesar. As the men ritualistically cover themselves with Caesars blood it as if they are celebrating the success of the hunt. Antony condemns the conspirators as predatory and bestial hunters and creates the image of a victimized Caesar, saying

Villians! You did not so, when your vile daggers

Hacked one another in the sides of Caesar

You showed your teeth like apes, and fawned like

hounds (5.1.-4).

Caesars corpse stirs pity in the hearts of his oppressors, a far cry from the tyrannical leader framed by his accusers. In Antonys glorification of the corpse of Caesar, Caesar has been truly reduced to a feminine state. He requires a man to plead his case with society, and the strong figure is accessible and needs the support of the fickle masses.

Show you sweet Caesars wounds, poor poor dumb mouths,

And bid them speak for me. But were I Brutus,

and Brutus Antony, there were an Antony

Would ruffle up your spirits, and put a tongue

In every wound of Caesar that should move

The Stones of Rome to rise in mutiny. (..7-)

Calphurnia whose warning goes unheeded by Caesar demonstrates the impotency of a womans voice. In death Caesars voice, like that of a woman, is no longer heard, and his violated body projects the image mouths which are objects serving as symbols of female sexuality to which Antonys reference to tongues gives additional sexual implications. It is the tongue and mouth that serve as the initial sight of contact when kissing occurs. The sexuality of this image brings further strength to the previous parallel made between the reproductive process and Caesars death.

The transformation of Caesar from a figure of male potency to one of feminine weakness creates a complicated and distorted message of sexuality. Traits become no longer inherently masculine or feminine because the ultimate fate of Caesar merges weakness and strength. The strange paradox of the play is how wounds, a traditionally feminine sign of vulnerability, ultimately become equated with masculinity. Portias decision to voluntarily wound herself demonstrates the awe and admiration which wounds can inspire in the masculine sphere; it is after seeing her self inflicted wounds that Brutus discloses to her the secret plans of the conspiracy. Similarly, it is through his wounds that Caesar is able to eventually to win vindication for his death because they move the crowd to action against the conspirators, allowing for leadership through injury. The sword symbolically represents a phallic-like sign of vitality which leads to the retransformation of Caesar into a figure of masculinity. Brutus acknowledges, O Julius Caesar, though art mightly yet/ Thy spirit walks abroad and turns our swords/ In our own proper entrails (5..4-6). The sword that causes Caesars fatal wounds serves as the instrument that brings an end to Cassius and Brutus. Cassius proclaims in his death Guide thou the sword- Caesar, thou art revenged, /Eve with the sword that killed thee (5..45-46). This conclusion of ultimate victory of the masculine spirit seems the only fitting outcome for Shakespeare to engineer if his play is to be a true reflection of Roman culture. Women hold value only in terms of the services that the provide which advance the interests of the masculine community, and in this case, the conspirators needed grounds to render Caesar inadequate for his position and feminizing him provides a useful mechanism in doing so. The retransformation of Caesar solidifies itself in Octavious declaration to the world that This was a man!, (5.5.75) reinforcing the notion that the masculine spirit will prevail in Roman society.

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Photosynthesis

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Introduction

The process of photosynthesis is vital to humans and all other living organisms

on earth. Through photosynthesis plants use water, carbon dioxide, and light to

supply themselves with food and the rest of the world with oxygen. Although all

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plants carry out photosynthesis, the process by which they do so varies

depending on the plant. The rate at which plants produce oxygen is also

dependent on the plant. Two classifications of plants that differ in the way

they carry out photosynthesis are C plants and C4 plants. C plants such as

soybeans and rice go through two stages of photosynthesis which are light

reactions and the Calvin cycle. While in the light, during the Calvin cycle, C

plants often go through a process called photorespiration when the plant uses O

for the Calvin cycle instead of CO and therefore does not produce food or ATP.

This occurs when the weather gets too hot and dry for the stomata to be open and

rubisco, the Calvin cycle enzyme for C plants, accepts O and it overtakes the

CO concentration . C4 plants such as sugarcane and corn, on the other hand,

have adapted to hot, dry climate so that they do not carry out photorespiration.

The reason C4 plants differ from C plants is because the enzyme used in their

Calvin cycle called PEP carboxylase has a high affinity for CO and is able to

fix the CO concentration and not allow oxygen to overtake it.

We were specifically interested in the rate that both of these plants carried

out photosynthesis when a leaf from each plant was placed under a light. The

amount of oxygen produced, which is a byproduct of photosynthesis, was used to

measure the photosynthetic rate of each leaf. Since C plants carry out

photorespiration when exposed to excessive light, we hypothesized that the C4

leaf would produce oxygen more efficiently. The C leaf that we used was one

from a lima bean plant and the C4 leaf that we used was one from a corn plant.

We believed that the corn plant would have a higher photosynthetic rate when

placed under a light.

Methods

We obtained two leaves, one was from a lima bean plant, which is a C plant,

the other was from a corn plant, which is a C4 plant. We sealed the lima bean

leaf into the leaf chamber so that it was not shaded by the O sensor of the gas

inlet and outlet port holes. We placed a plastic petri dish filled with water on

top of the leaf chamber covering most of the leaf surface. We then inflated the

plastic gas bag with our breath, being careful not to overinflate the bag. After

the bag was inflated we sealed it with the luer lock plug. Since the y-axis

values for the pO and light graphs were already set for us, we proceeded to

click the start button on the computer screen. We then immediately removed the

plugs from the leaf chamber and squeezed the bag to send CO through the leaf

chamber. When the level of O hit 16 on the computer screen we resealed the gas

bag and the leaf chamber. After approximately one minute we used the dimmer

switch to turn on the light and began to observe the changes in O

concentration. We observed this leaf's O production for 5 minutes and pressed

the stop button on the computer screen. Then we highlighted the middle portion

of the graph and used the computer to find its slope. We then removed the lima

bean leaf from the leaf chamber and replaced it with the leaf from the corn

plant. Since we had already inflated the bag with our breath for the first leaf,

we did not need to do it again. We simply went through exactly the same steps

again beginning with pressing start on the computer screen and squeezing the bag

until the O level on the screen read 16. After completing all of the steps and

waiting 0 minutes we pushed stop on the computer screen, highlighted the middle

of the graph, and used the computer to obtain the slope of the line. Then both

of the leaves were taken and traced onto graph paper to obtain the surface area

of both. To figure out the surface area we counted the number of squares that

were entirely inside the leaf. Then, any squares that were intersecting the leaf

margin were given a value of 0.5. We added the values and divided by 4. This

gave us the leaf surface area in cm. Using the slope given by the computer and

degrees for our temperature, we were then able to use equation (1) to figure

out how many ìmoles of O per liter per minute of gas was in the leaf chamber.

(1) y= 10,000x/[(7 + T)/7] x .41 = ìmoles of O/L/min

We took the number we obtained here and put it into equation () to find out the

photosynthetic rate of both leaves.

() photosynthetic rate = 0.047 x y/leaf surface area ìmole O/m/min

Results

After we observed the O production for 5 minutes on both leaves we obtained

graphs that displayed the rate at which each plant produced O. Figure 1 below

displays the result for the lima bean plant and Figure displays the result for

the corn plant.

Figure 1

ʏ

Figure

ʏ

Using equations (1) and () from above we were able to find the photosynthetic

rates for the C plant and the C4 plant. We were able to conclude from these

findings that C4 plants produce O at a more rapid pace than C plants. The

individual data are shown below in Table 1.

Table 1

Plant Type Data Interval %O/min Photosynthetic Rate

(ìmole O/m/min)

C plant, lima bean 5 minutes .08 .18

C4 plant, corn 5 minutes .046 .117

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Gender discrimination

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Discrimination

There are many types of Discrimination, I am only going to highlight just a few. Discrimination is defined as unforgettable or unfair treatment of a person or class of persons in comparison to other who are not members of the protected class because of race, sex, color, religion, national origin, age, physical/mental handicap, sexual harassment, sexual orientation or reprisal for opposition to discriminatory to practices or participation in the EEO process. Discrimination is apart of everyday life, it happens everywhere in all kinds of ways. The main topics that I am going to touch on are Disability, gender, and employment discrimination. These all relate to work places everywhere.

The first topic I am going to talk about is employment discrimination. There is a growing body of laws preventing or occasionally justifying employment discrimination based on sexual orientation. Discriminatory practices include bias in hiring, promotion, job assignment, and various types of harassment. The Fifth Amendment has an explicit requirement that the federal government not deprive individuals of "life, liberty, or property," without due process of the law. Due process protection requires that employees have a fair procedural process before they are terminated if the termination is related to a "liberty" or property interest. The Equal Pay Act amended the Fair Labor Standards Act in 16. It prohibits paying wages based on sex by employers and unions. It provides that where workers perform equal work in jobs requiring "equal skill, effort, and responsibility and performed under similar working conditions," they should be provided equal pay.

Gender discrimination is another problem, such as the work place and school. Title IX of the Education Amendments Act of 17 prohibits sex discrimination in any education program receiving federal funds. In 16, the Clinton administration told schools that meeting this so-called "proportionality test" is the only way to avoid getting sued for sex discrimination.

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Unknown

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On a last Saturday, my friend and I went to Rosicrucian Egyptian Museum located near downtown San Jose. Rosicrucian Egyptian Museum was narrowed out about two or three thousand square feet. It didn't seem so big as what we imagined. On the side of the museum there was a pleasant garden filled with sculptures and where the palm trees stand to keep the shade of the sunny afternoon. We hung around the museum for about an hour observing some of the sculptures.

An Egyptian mummy was the first case we saw as we walked into the museum, which caught my eyes immediately. The color of the case was bright that loaded/packed with gold. It had different variety of colors, but it seemed like red and green set up to be the main color. The mummy case also filled with unique images. There were double brown eagles spreading their wings widely that stood side by side of each other. On the left hand of the sculpture was holding a stripe hook versa the other hand with a long decorated stick that crisscrossed each other. There was a head of the snake bore out in front of the forehead. According to my guess, the sculpture was approximate 7'4" tall.

The next sculpture we observed was Nerfertiti. The sculpture portrayed the appearance of Nerfertiti, which was nicely done with paint. The scale and pigment of the paint seemed to fade over time. Nerfertiti looked beautifully just through the sculpture itself. Her eyes were long that matched with her extended two full curves eyebrows equally, her thin red lips, and her petite high nose. I just couldn't visualize how her beauty looks in reality. A glance at the sculpture, I believed it illustrated the true beauty of a woman. Beside her beauty, the expression of her face seemed gentle and grateful. The model of Nerfertiti was about the size of our head, from the top of the head to the shoulder.

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I have discovered the Steele of Hammurabi for the next extra credit assignment. The Hammurabi seemed to make out of hard dark gray stone. It polished and furnished to appear smoothly that brought up the color to be shinny and bright. However, the stone didn't look original because the stone was filled with holes and cracks. There were little yellow writing surrounded the stone. When I first looked at it, I thought the code was written in black. As I walked toward and looked closely at the stone, I saw some yellow pigment among the black color. The Steele of Hammurabi shown the two men, the post of one man was standing, and the other tightly holding a stick was seated in a chair. The Hammurabi approximates 8'1" high and 1'" thick. I believed it must weight over tons.

The last object that I have observed was some of the cylinder seals. I noticed there are many different sizes, shapes, colors, and portrait of images for these cylinder seals. Most of the cylinder seals seemed small that was about my thumb size. There were several different kinds of shapes. I believed it extremely hard and difficult to get these cylinder images neatly carved on the cylinder. With the enchanted color of these cylinders, white, gray, black, orange, brown, and cream, could make the cylinder looked more unique. It seemed to me, each cylinder represented a different period of time since the year was different.

Best of all, the sculpture that captivated me the most was the SETI . This sculpture appealed to be the

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What are the contrasts in character and behaviour between MacBeth and Lady MacBeth?

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What are the contrasts in character and behaviour between MacBeth and Lady MacBeth?

MacBeth is a play written by William Shakespeare, which traces the downfall of MacBeth due to his ambition. MacBeth, the main character, is a nobleman, the Thane of Glamis, as well as a Scottish general in King Duncans army. Later he becomes the Thane of Cawdor and eventually King of Scotland. To achieve this he resorts to violent measures, and murders his way to the throne with the help of his persuasive wife, Lady MacBeth. Lady MacBeth is a woman who cleverly takes advantage of her husbands love for her to persuade him to kill in order to be crowned king of Scotland. Despite this she finds that she cannot cope with the guilt, which eventually leads to her suicide and later, MacBeth dies in battle. Although MacBeth and Lady MacBeth love each other, they grow further and further apart as the play goes on.

Before the murder I realise that MacBeth is very highly thought of in

Scotland for his prowess in battle as he receives many compliments from a sergeant Brave MacBeth,

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and even from King Duncan

Valiant cousin

However Shakespeare then uses the supernatural to tempt MacBeth, who is indecisive earlier in the play, and whose prophecies at this point, when he meets up with three witches whom he had already met

suggest that he will become Thane of Cawdor and later, king of Scotland. MacBeth is

now encouraged to contemplate kingship, although he does not to take any action due

the fact that he has a conscience. However he is beginning to believe it is possible,

because of the prophecies coming true, when he becomes Thane of Cawdor.

And, for an earnest of a greater honour,

He bade me from him, call thee Thame of Cawdor. When Duncan states that Malcolm shall be the next king of Scotland, MacBeth’s ambition is sparked and the idea of killing Duncan is shown by the dark imagery in his soliloquy.

Stars, hide your fires

However, although MacBeth likes the idea he still cannot bring himself to commit murder. This is in total contrast to his wife, who is used by Shakespeare to push her husband. As soon as she receives the letter telling her of the witches prophecies she says decisively,

Glamis thou art, and Cawdor; and shalt be

What thou art promised.

She shares his ambition and is single minded in her efforts to make MacBeth King In order to do this more effectively she even calls on evil spirits to remove any traces of kindness and generosity from her;

Unsex me here And fill me from the crown to the toe top

full of direst cruelty.

Lady MacBeth plans the murder in detail and will not allow MacBeth to even think of failure. In contrast, MacBeth is indecisive, shown by his weighing up the pros and cons, and eventually saying,

We will proceed no further in this business.

However MacBeth, is accused of not being manly by his wife, and is persuaded to go ahead with the murder showing that his wife is stronger willed. I feel that MacBeths uncertainty about whether to go forward with the plan to murder king Duncan is because he looks ahead towards the consequences, If the assassination could trammel up the consequence,

whereas Lady MacBeth looks no further than the murder.

I see the second act as the turning point in the play as in this act MacBeth finally kills King Duncan and gains the confidence which enables him to repeat the deed later on. Just before MacBeth is to murder Duncan, the supernatural is again used by Shakespeare in the shape of a dagger, to highlight MacBeths guilt and weakness and to show that he still has a conscience.

Is this a dagger which I see before me , The handle toward my hand? Come let me clutch thee.

Because MacBeth still has a conscience during the murder of Duncan he panics and forgets to smear the guards with blood and leave the fatal daggers with them. Even after talking to his wife he still cannot bring himself to return to the scene of the crime and relies on his wife to go back. Although Lady MacBeth, is stronger- willed than MacBeth, she is not as strong as she believes herself to be. I can see this when she has a very anxious conversation with her husband.

Did you not speak, When, Now, As I descended, Ay, Hark

Shakespeare uses a staccato effect to show their guilt and how worried they are.

Directly after the murder of Duncan MacBeth panics and is so shocked that he needs his wife, Lady MacBeth, to tell him what to do. The difference between them is clear in their attitude towards the blood on MacBeths hands after he has killed Duncan. MacBeths imaginative nature is clear in the imagery he uses.

Will all great Neptunes oceans wash this blood

Clean from my hand

However in total contrast to MacBeth, his wife consoles him when she tells him,

A little water clears us of this deed.

I can see that she is practical and can deal with present problems but does not look ahead, which is ironic when I think of the sleepwalking scene.

When King Duncan is discovered to be dead MacBeth is unsure how to react and so becomes over-zealous, killing the guards. Suspicion starts to spread because of MacBeths irrational behaviour. However to distract people and to shift the attention which is on MacBeth, Lady MacBeth faints. It is clear that Lady MacBeth is more practical and clear-sighted and that MacBeth depends on her.

After MacBeth and his wife are crowned King and Queen at Scone, MacBeth becomes more dominant and distant. I am surprised to find that he no longer involves his wife in any of his plans. This next plan is to dispose of Banquo and his son as the witches have prophesied that the descendants of Banquo will be crowned kings of Scotland. Lady MacBeth has not been told of his plans.

Be innocent of the knowledge dearest chuck.

However it is the manner in which MacBeth attempts to kill Banquo and his son which is more important. MacBeth poisons the minds of three murderers and gives them instructions about when and where to kill Banquo and Fleance. This is unbelievably different to when he and his wife were planing the murder of Duncan and shows just how much confidence he has gained. This time he has planned the whole thing himself, but hired others to do the deed. Hence he has become independent of Lady MacBeth.

Despite MacBeths planning of Banquos murder on his own, Lady MacBeth is still the stronger mentally, evident when she tries to calm her husband during a banquet, during which he sees his second vision; Banquos ghost, another symbol of his guilt.

Thou canst not say I did it never shake

Thy gory locks at me.

However Lady MacBeth quickly takes the initiative, saying that MacBeth is ill. She later taunts him for being unmanned, which shows her mental superiority and that she is much more quick-thinking than he is. At this point MacBeth tells his wife that he is at the point of no return and the start of his downfall.

I am in blood

Steepd in so far that, should I wade no more,

Returning were as tedious as go oer

At the beginning of Act Four MacBeth significantly makes a conscious decision to visit the witches, showing me that he is now choosing evil.

I will to-morrow,

And betimes I will, to the weird sisters.

The witches are playing with MacBeth, although he does not realise this!

None of woman born shall harm MacBeth

This seems to guarantee MacBeths position as King of Scotland, as does the next apparition

MacBeth shall never vanquishd be, until Great Birnam wood to high Dunsinane Hill shall come against him.

However the only apparition which worries MacBeth is

beware MacDuff

He now no longer attempts to hide his evil but embarks on a reign of tyranny, for example ordering MacDuffs family killed. MacBeth has become a tyrant totally steeped in evil, considering himself invulnerable.

In contrast Lady MacBeth is now very vulnerable which is contrary to how she behaved earlier in the play. She seems to have gone insane as a result of her guilt which is also exposed, but in a different way to that of MacBeth as she sleepwalks. She constantly washes her hands which refers back to the time when her hands were covered in blood. Although then, she told MacBeth that a little water clears us of this deed she now shows that this is not so.

All the perfumes of Arabia will not sweeten this hand.

By this, I think she means that she can never be forgiven for the sins which she committed earlier. However, the most noticeable form of her guilt is when she sleepwalks and mutters words which have the potential to incriminate her husband.

The thane of Fife had a wife

She is obviously suffering mental anguish and eventually commits suicide. MacBeth has also changed, but in contrast to his wife he has grown colder and more callous. When he hears of Lady MacBeths death he shows no grief, merely saying

She should have died hereafter.

Unlike Lady MacBeth he feels no remorse which is in contrast to the MacBeth earlier on in the play. He realises that life has become mechanical, evident in the repetition of ;

To-morrow, and to-morrow, and to-morrow,

Creeps in this petty pace from day to day,

To the last syllable of recorded time;

However MacBeth senses the end and his death due to the fact that Malcolm, and the English army are approaching to overthrow him. At this point MacBeth must be anxious and starting to feel his kingdom slip away due to the news of the desertions from his army and realises that the witches were playing with him . However MacBeth still decides to fight to the death and die like a brave soldier. In a sense MacBeth too is contemplating suicide because, although he knows his castle could withstand a siege, he goes out to fight and is killed by MacDuff.

I find the differences between MacBeth and his wife interesting, especially the way their roles are reversed as the play goes on. At the end of the play I see that MacBeth and his wife are viewed alike in death despite their obvious differences of character and behaviour earlier on in the play.

this dead butcher and his fiend-like queen.

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