Euthanasia

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What would you do if your mother was terminally ill and asked you to assist her in killing herself because she could no longer take the pain and suffering? She is going to die either way, so why not save her the pain and give her, her last dying wish. Assisting her in suicide, which is what the world calls euthanasia could help her reach her last desire in life. In the United States and most parts of the world Euthanasia is illegal which is absolutely wrong.

Assisting a person in suicide will put them out of misery. We could alleviate their uncomfortable bedridden life and grant them freedom from pain. Unfortunately today, we legally would not be able to give that person the last thing they would ever want in life. We could not fulfill their dying wishes because euthanasia or assisted suicide is looked upon as being selfish and immoral. Why should one be able to choose when to die if one was not able to choose when to be born? A person was not able to choose when to be born yes, but one's parents were able to choose when to bring life onto this planet. There is no way possible a person could choose when they should have been brought to life because they were not living at that moment to make that decision. Someone else though was able to determine life for that person. Why is it that people are able to determine when to bring other life onto this planet, but it is immoral and selfish when one wants to determine when they end their own life? It is an individual's own life and own choices. In order for someone to go to the extreme of wanting to end their life they must be going through some excruciating pain. So why let them suffer in pain waiting to die when we could give them the next best thing which is an end to their burden. It should be up to the person not the government whether or not that person has to live through the pain and suffering or can if chosen end their own life. If euthanasia is legalized we could give our loved ones their last dying wish and let them die with dignity instead of pain and suffering. We could give them what they truly want if they truly want it. We could give them an end to the pain, and an end to the drawn out conclusion of their life.

Not only is euthanasia an end to one's pain and suffering it is also an end to the burden on the family members and taxpayers who are supporting a lost cause. A person who is terminally ill will end up dying one way or another. So if that person is willing to put an end to their suffering and give up on life, why not let them do so? It would save their family members a fortune on health care costs, and it would take the worry away knowing that their family member went peacefully. A family, today, with out legalized euthanasia would be paying massive amounts of money to support some one who will end up dying and who wants to die anyway. Why should we pay money to hospitals by supporting and keeping someone alive who has no chance, and no longer wants to live? If euthanasia was legalized we could put the money toward something worth spending it on. It is not worth spending the money on health care for someone who does not want it. One of the possible reasons euthanasia has not been legalized yet, is because if it were some doctors would be out of jobs. If euthanasia were legalized these doctors and hospital's would not be able to continue to drain the family members pockets any longer. Therefore the hospitals profits would drop. The longer they keep someone alive in their care, the longer they continue to put money into their own pockets. What we need to do is legalize Euthanasia and give a person the right to determine his or her own fate. If the person wants to wait it out and live out the disease, then let them. If that person and their family members can come up with the money to do that, then so be it. But if a person does not want to live out the disease any longer, and the person and their family members cannot come up with the money to support them then give that person the right to do what they want.

Every American at this time has a common law and constitutional right to refuse unwanted medical treatment and equipment. Many believe that this right to die should extend to aid in dying or euthanasia for the terminally ill at their request. Why is it that a person can refuse life sustaining medical treatment and end their life, but a person cannot ask a doctor to aid them in ending their life? It is not right that a person can end their life one way but cannot the other. This raises the question should a person who is no longer mentally capable be able to make such a decision? If euthanasia is legalized everyone should have a statement in their will whether or not they want to live out the disease and suffer in pain or end the life before the disease does. The person in this will should describe in detail what they want done if a disease should go to this extent. This would solve that problem and clarify the wants of that person. It would be somewhat of a will for your life.

As of today we have the right to choose whether or not we want life sustaining treatment, but we do not have the right to choose to have someone aid in our death for purposes of pain, suffering, and dignity. A person should have the right to choose euthanasia because it could save that person and their family the cost of unnecessary health care. We could also give people the comfort of knowing that if they want something they can receive it. If euthanasia was legalized we could put an end to the suffering of terminal illness if chosen, and if not at the mental ability to choose it should be written in a type of will for that person. Every person should have these rights, but as of now we do not. Therefore there is definitely something wrong with this picture, and we are the only ones who can change that.

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How the great depression and conscription affected the cause of the war.

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As in 116 and 117, the government had the power to conscript men for home service, but not for overseas combat. "Home", however, included New Guinea, and therefore conscripted troops could be and were sent to the war front where they were needed most. But as allies began to defeat the Japanese, the war front spread north, and there was a demand that Australian troops be able to go to the new areas which were outside 'home'.

The situation was like that of 116 and 117 where all the government had to do was change the Defence Act, but unlike in previous years, the Prime Minister at the time, (Prime Minister Curtin) knew he had the majority of both the Houses to change the Act.

He did not push the measure through, however, instead he let the Australian Labor Party debate the issue, and come to their own decision, which was to support the extension of areas where the Australian conscripts could be sent fight.

The Act was changed, the area where the conscripts could be sent was extended-though still strictly limited-and it was all done with little opposition in the community.

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In conclusion, the Great Depression affected the war by the number of unemployed and how the governments were able to use them and their situations to entice them to think of their poor economic position as Hitler wished them to. Secondly, by the Treaty of Versailles, which ensured peace between countries, but when Hitler broke the treaty by demanding Danzig, this also helped spark the war.

Also, by changing the National Security Act of 1, the government was able to introduce controls, which then gave them to power to conscript more troops as they pleased.

This, then, summarises how the Great Depression and conscription affected the cause of the war.

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The Legends of the Fall

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Tiffany Lindsey

History 10- Movie Review

-5-0

The movie that I choose to review was the movie Legends of the Fall. This movie is a story about a family that has three very different sons. This movie represents the passions of family values, of love, and of honor.

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The family values begin with the father who is called throughout the movie as The Colonel. The Colonel fought in the army for many years. Toward the end of his career, he fought in the American-Indian War. He ended his career with seeing the slaughter of thousands of Indians. He said that there was no more horror then seeing the children and women slaughtered like pigs. The Colonel tried very hard to protect his sons from the politics of the world, which was one reason why the family lived out in the country. The wife of the Colonel said that the winters were getting too cold for her, and at that note, she left the countryside to go live in the city.

The three sons in the movie were all quite different from each other. Alfred who was the oldest, was the realistic character in the movie. Alfred will later become a politician and fight in the war. Triston was the middle son, and the wildest. Triston had the heart of a bear but the looks of a cat. He was always out looking for death, for he did not believe in waiting for it to come to him. He was also the Colonel's favorite son. Samuel was the youngest son and the most protected. He could not do much of anything without having one of his brothers right on his back helping him.

In the beginning of the movie, we find that Samuel is engaged to a woman named Susanna. Susanna, in my opinion, becomes the reason why the family keeps falling throughout the movie.

On October 14, 114, the three sons leave home to go fight in the war. Obviously, this is against what the father wants, for he does not believe in fighting war or the cause for it. Throughout the war scene, the three boys are mesmerized by how different the war scene is to what they thought. In the war section of the movie, Samuel is killed. Triston cuts out his heart and sends in home with Alfred, who is injured in the leg. Triston is dismissed from the Army but must go to a hospital for mental illness.

When Triston finally arrives home, Susanna is still living at the house. Alfred has already told her that he loves her and she has said that she does not love him back. Triston finally makes his move on Susanna, and it works, they both fall in love. Soon after, Triston becomes mentally ill again and leaves for an extended amount of time. Susanna tells Triston that she will wait for him forever, because she loves him very much. Triston writes a letter a few months later and tells her to find another husband, because he has become a hunter and has died inside.

Many seasons pass, and the Colonel is hit by a stroke. He still lives but he loses his speech and much of his normal stature. Triston finally returns home and he seems to be content. He finds out that Susanna has married Alfred and now lives in a mansion style house in Helena. Alfred is now a senator and is very high on himself. Triston marries, has two children and seems to be enjoying life for the first time.

Toward the end of the movie, Triston, his father and his brother Alfred become a family like they used to be. Susanna has killed herself because she could not have Triston. Triston dies an old man by a bear attack the same bear that was said to be in his heart.

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Blah blah blah

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Internationally respected poet, writer and educator, Maya Angelou has given us such best-selling titles as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin and Swingin and The Heart of a Woman. Multi-talented, she produced and starred in the great play Cabaret for Freedom and starred in The Blacks. She wrote the original screenplay and musical score for the film Georgia, Georgia and was both author and executive producer of a five-part television miniseries, Three Way Choice.

Miss Angelous accomplishments have earned her the La Home Journal Woman of the Year award in communication an Matrix Award in the field of books from Women in Communication She received the Golden Eagle Award for her documentary, Americans in the Arts, produced by PBS. She is one of the women admitted into the Directors Guild. In 174, she was appointed by Gerald Ford to the Bi-Centennial Commission and later by Jimmie Carter to the Commission for International Woman of the Year.

Her personal outreach to improve conditions for women in Third World, primarily in Africa, has helped change the live thousands less privileged. Here is where she gives with all her heart and soul. Internationally respected poet, writer and educator, Maya Angelou has given us such best-selling titles as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin and Swingin and The Heart of a Woman. Multi-talented, she produced and starred in the great play Cabaret for Freedom and starred in The Blacks. She wrote the original screenplay and musical score for the film Georgia, Georgia and was both author and executive producer of a five-part television miniseries, Three Way Choice.

Miss Angelous accomplishments have earned her the La Home Journal Woman of the Year award in communication an Matrix Award in the field of books from Women in Communication She received the Golden Eagle Award for her documentary, Americans in the Arts, produced by PBS. She is one of the women admitted into the Directors Guild. In 174, she was appointed by Gerald Ford to the Bi-Centennial Commission and later by Jimmie Carter to the Commission for International Woman of the Year.

Her personal outreach to improve conditions for women in Third World, primarily in Africa, has helped change the live thousands less privileged. Here is where she gives with all her heart and soul. Internationally respected poet, writer and educator, Maya Angelou has given us such best-selling titles as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin and Swingin and The Heart of a Woman. Multi-talented, she produced and starred in the great play Cabaret for Freedom and starred in The Blacks. She wrote the original screenplay and musical score for the film Georgia, Georgia and was both author and executive producer of a five-part television miniseries, Three Way Choice.

Miss Angelous accomplishments have earned her the La Home Journal Woman of the Year award in communication an Matrix Award in the field of books from Women in Communication She received the Golden Eagle Award for her documentary, Americans in the Arts, produced by PBS. She is one of the women admitted into the Directors Guild. In 174, she was appointed by Gerald Ford to the Bi-Centennial Commission and later by Jimmie Carter to the Commission for International Woman of the Year.

Her personal outreach to improve conditions for women in Third World, primarily in Africa, has helped change the live thousands less privileged. Here is where she gives with all her heart and soul. Internationally respected poet, writer and educator, Maya Angelou has given us such best-selling titles as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin and Swingin and The Heart of a Woman. Multi-talented, she produced and starred in the great play Cabaret for Freedom and starred in The Blacks. She wrote the original screenplay and musical score for the film Georgia, Georgia and was both author and executive producer of a five-part television miniseries, Three Way Choice.

Miss Angelous accomplishments have earned her the La Home Journal Woman of the Year award in communication an Matrix Award in the field of books from Women in Communication She received the Golden Eagle Award for her documentary, Americans in the Arts, produced by PBS. She is one of the women admitted into the Directors Guild. In 174, she was appointed by Gerald Ford to the Bi-Centennial Commission and later by Jimmie Carter to the Commission for International Woman of the Year.

Her personal outreach to improve conditions for women in Third World, primarily in Africa, has helped change the live thousands less privileged. Here is where she gives with all her heart and soul. Internationally respected poet, writer and educator, Maya Angelou has given us such best-selling titles as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin and Swingin and The Heart of a Woman. Multi-talented, she produced and starred in the great play Cabaret for Freedom and starred in The Blacks. She wrote the original screenplay and musical score for the film Georgia, Georgia and was both author and executive producer of a five-part television miniseries, Three Way Choice.

Miss Angelous accomplishments have earned her the La Home Journal Woman of the Year award in communication an Matrix Award in the field of books from Women in Communication She received the Golden Eagle Award for her documentary, Americans in the Arts, produced by PBS. She is one of the women admitted into the Directors Guild. In 174, she was appointed by Gerald Ford to the Bi-Centennial Commission and later by Jimmie Carter to the Commission for International Woman of the Year.

Her personal outreach to improve conditions for women in Third World, primarily in Africa, has helped change the live thousands less privileged. Here is where she gives with all her heart and soul. g45gv ety h6 yu45

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After the quake

If you order your cheap custom essays from our custom writing service you will receive a perfectly written assignment on after the quake. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality after the quake paper right on time.

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Rollercoaster after the Quake

Earthquakes have the tendency to disrupt many lives. It changes a person's belief that the world they live in is safe and secure place. In After the Quake Haruki Murakami, writes moderate stories about people, not in Kobe, not even directly involved with Kobe at all, but nevertheless caught up in the national aftershock which affects them all in strange, small ways. These stories are inspired by the quake that devastated Kobe, Japan in January 15. The earthquake itself only appears in the background of each tale, but there is a connection between the stories through different devices. After facing sudden, uncontrollable changes in their lives created by external forces each of the characters is struck by his or her own shattering personal earthquake.

In the first story "UFO in Kushiro," Komura an electronics salesman whose life takes a new turn when his wife leaves him after following the coverage of horrors inflicted on people by the earthquakes. She was so absorbed in the devastation of people's lives for "five straight days she spent in front of the television, staring at crumbled banks and hospitals," (Murakami ). It really effected her seeing how a person's life could change with one destructive event. Throughout the first half of the story Komura does not make any effort to talk to his wife to find out why she is so obsessed with earthquake. Later on when she leaves, she explained her departure by simply saying, "The problem is that you never give me anything. Or to put it more precisely, you have nothing inside you that you can give me…living with you is like living with a chunk of air" (5). She is trying to tell him that he never cared enough for her to find out what was wrong with her. He never really understood why she was so upset with watching some unidentified people who she didn't even know.

He was very passive and self-centered who never bothered to look inside his wife's heart and took his relationship with her for granted. On the other hand after seeing how life could change in few moments, Komura's wife realized she should spend it with the people who love her back such as her family " her father was crazy about his youngest daughter and happily paid for her round-trip fares"(5). Her family always made her feel welcome and loved so she leaves her uneventful life to live with people who care for her. Even after she leaves and writes that she'll never come back he still does not make any real effort to win her back, which would have proven how much she really means to him. Komura's wife leaving him right after the earthquake changes his life just as it has done to the people who were involved in the earthquake. Up to this point, his life had been uncomplicated, and his marriage of five years, he thought, relatively successful. Now, finding himself at loose ends, he embarks on an errand for a colleague. He is to deliver a small box to his friends sister in Kushiro, another part of the country. The journey turns into a kind of pilgrimage, which ends with Komuras coming circuitously to a better understanding of himself. Komura is almost perfectly passive before the pilgrimage, distant from both the world and his own emotions. She has seen, of course, that everything can disappear in an instant, and she has begun to understand what this means to her life. Her leaving forces the same primal awareness on Komura.

Cheap College Papers on after the quake

In "Landscape with Flatiron" a runaway girl finds first comfort, then despair, in a bonfire artist on the beach. Junko has left her solid, family based life to come find herself. In her own way she wants to relate to the creation of bonfire, how it could be fixed if something is wrong with it just as how Miyake "would examine in detail the form he had constructed, adjust some of the pieces, then circle around to the other side for another look, repeating the process several times (8). After hearing about the destruction inflicted by Kobe earthquake and so many broke families, it seems as if Junko could relate to it. After leaving her home what she really wants is love of family. As is said in the book "Junko never said much in the presence of the fire. …The flames accepted all things in silence, drank them in, understood, and forgave. A family, a real family, was probably like this, she thought" (). One earthquake brought her true feelings out and made her realize what she really needs and seems as if she would never find it in her family. He friendship with Miyake bring her close what she always felt was missing out of her life.

"All god's children can Dance" is as dramatic internal expedition through the dangerous emotional landscape of a fatherless young man with a terrible hangover. It's a little strange and slightly disturbing story. Yoshiya, born to an eccentric single mother, who had him after several unfortunate couplings. Even though she used protection each time she still got pregnant to which Mr. Tabata said in simple words " you took the most rigorous contraceptives measures, and yet you became pregnant…the child you are carrying is not just anyone's child, Miss Osaki it is the child of our Lord in Heaven" (57). From that day her mother started believing in god with all her heart and thought of him as the father of her child. While Yoshiya would not believe such thing could really happen he abandons his faith because he believed if the One is his father how come he never revealed himself to Yoshiya. He did search for the person who fathered him because he never felt any different then an average person so he believed his father was somewhere out there. In this story Yoshiya responds to the earthquake by searching for his biological father. One night, he tracks his father down, and tails him to a strange neighborhood. Suddenly, the young man finds himself in a landscape as barren as his own heart as he describes this experience "what I was chasing in circles must have been the tail of the darkness inside me" (64). At this point he realized it really did not matter "if the man was his father, or God, or some stranger who just happened to have lost his right earlobe? It no longer made any difference to him and this in itself had been a manifestation, a sacrament" (64).

Thailand, is about a fatigued and worn out pathologists who came to terms with

the path her life was taking during the end of her weeks vacation.. On safe ground Dr Satsuki fly to the World Thyroid Conference in Thailand. She is exhausted, needs the break and is searching for more meaning to her life. In the setting there is a bitterness of a resentful divorce, "she had a falling-out with her ...husband, whose dependency on alcohol had grown worse ...in addition to which he had become involved with another woman'someone Satsuki knew well"(71). Satsuki feels very unwanted because she had caught the person she married cheating on her with someone she knew and trusted. She feels betrayed and helpless at the same time. She is exhausted of life and takes a week's vacation to forget about her existence. During this vacation she meets Nimit, her chauffeur and guide. He looks after her well and both are Jazz fans. On her way to resort, the Kobe quake is on the radio and she tries to suppress the thought that her ex lives there because when she does think of him she can only secretly wish that "he would be swallowed up by the liquefied earth."(76). Even though she knows its wrong to wish for someone death there is part of her that wants her ex husband to suffer just as she had been. Satsuki we sense is a woman who wants to get past her bitterness and reconnect with herself. Nimit understands this and takes her to see someone who might give her insight. She feels as if she is to be blamed for the quake because she wanted the man she hated for so long to die "in order to bring that about, she had gone so far as to wish in the depths of her heart for an earthquake" (87). After realizing that she figures out that the stone in her body is creation of the hate she has inside her for the man she married. She has to let go of the past to get on with the future and her life. She cannot hold on to something that happened long time ago. By holding on to that dreadful event of her divorce she was leading herself toward death because her life was full of unhappiness.

"Super-Frog Saves Tokyo" is very bizarre and remarkable story. It begins with Mr. Katagiri, a long collector coming home and finding a frog sitting in his apartment. It gets more absurd as the frog asks Mr. Katagiri for help in saving Tokyo from a giant worm. It all seems very unreal to Mr. Katagiri who looks at himself as no one and nothing. "I'm an absolutely ordinary guy. Less than ordinary. I'm going bald, I'm getting a potbelly, I turned forty last month…Why should a person like me have to be the one to save Tokyo?" (104) Mr. Katagiri is has very low self esteem and its hard for him to understand why is he the one who has to take care of such an important task if it is to take place. He always felt there is no one who cares about if he lives or dies and this frog is asking him to save Tokyo from an earthquake. When Mr. Katagiri asks why he is the one with this responsibility frog simply states "Because, Mr. Katagiri, Tokyo can only be saved by a person like you. And it's for people like you that I am trying to save Tokyo" (104). This proves that it's the lost that need saving, Mr. Katagiri has felt as if he doesn't mean anything to anyone. His existence is unknown to the people. His siblings could care less if he does something great or not. It himself he has to live for. He has to start thinking about himself before others. He has to start giving meaning to his life instead live a life where living or dieing wouldn't make a difference.

The last and the final story, "Honey Pie", concerns a shy, passive middle aged struggling writer Junpei, who is manipulated by his friend Takatsuki and at the short end of a love triangle involving his two closest friends.. He uses his friendship with Junpei to pass his classes and get his degree. Then comes Sayoko into there group and they become threesome. They went and did everything together "they shared lecture notes, ate lunch…, talked about their future over coffee…took part time jobs at the same place" (1). But while the friendship was flourishing Junpei fell in love with Sayoko but never had the courage to go up to her and ask her out because he believed he was not what she wanted. In his mind he knew he should go to her but he was afraid of the rejection " he knew that there would be no going back once the words left his mouth, and that she might take herself off somewhere far beyond his reach" (1). When the opportunity arrives for him to claim the woman he loves, hes seized by ingrained feelings of fear and doubt, with the implications of the earthquake weighing heavily on his conscience. He didn't think he would be able to live without her presence in his life so he accepted whatever he could get and only dreamed of what he could get it. He knew he has lost his chance of being with her when she married Takatsuki but she was the only woman he ever loved and couldn't imagine being with anyone else. Indirectly he never gave up hope on Sayoko, and after Sayoko's divorce from Takatsuki, Junpei once again had the opportunity to be with the woman and her child who he loved as his own. When he hears about earthquake hitting Kobe he realizes he can not dread wondering if its right or wrong time to ask Sayoko to marry him or if it was Takatsuki's idea that he should marry Sayoko. He felt after the quake life should not be wasted and enjoyed and lived with the people you love and care for.

The six short stories leave the reader shaken long after they turn the last page. Even though each story had different plotline they still went as smooth as any novel a person would read. It has all the essentials components of a novel. These stories were loosely linked by the echo of a common event, but there is certain thematic correspondence between the six pieces. They are all meticulously good people who lived there lives without any kind of fuss but as the earthquake ruins the country with a snap, just like that these people face there frustration, anger and fear. Every story reveals a new idea and gives people the energy and courage to face there personal dilemmas which are similar to the earthquake in Kobe, Japan.

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Lord of the flies

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The Novel Lord of the Flies William Golding and the essay Our Fascination With Hitler by George Will are related in one way, they both agree with the idea evil. Golding and Will share the idea that human-beings are fascinated with evil and that evil is an inborn characteristic. Goldings main idea was that people are evil, and in a state of nature they will act upon their devilish instincts. This theory was in complete opposition to the ideas of philosopher John Locke, who believed that humans are naturally good.

The killing of Simon is the perfect example used by Golding of mans capacity for evil. Soon after the confirmation by the Lord of the Flies that the beast is a part of everyone, Simon discovered that the figure on the mountaintop was a dead airman, and rushed down to the other boys on the beach to tell them the news. However, the ritual of the hunting dance had excited the others almost into a frenzy, and, judging Simon to be the beast, he was trampled underfoot by the mass. The majority of the boys took part in this event, including Ralph and Piggy. Despite the fact that these two characters were only at the back, they had found themselves eager to take a place in this demented but partly secure society . This society, led by the power-craving Jack, was the one full of hunters determined to Kill the beast! Cut his throat! Spill his blood! Rules and order had been dispelled in favor of gaining support for Jack through promises of hunting. Undeniably, Jack provides an idea of an ultimate evil, while Ralph demonstrates the capacity for evil inside everyone.

The majority of the worlds population, neither when Golding started writing Lord of the Flies nor today, is not made up of power-craving, despots like Jack, but they do have the ability to do so it's all in the matter of if they do so . Ralph, on the other hand, can be seen as the average person, despite also being the leader. His thoughts and their increasing ambiguity, which are the only views shown by Golding in the novel, resonate with those of the norm. Goldings decision to only provide insights into Ralphs mind emphasizes this symbolism. Characters such as Maurice and Simon have their feelings expressed, but not in the same way that Golding depicts Ralphs. In a sense, Golding can be seen as telling people what to do through the actions and the thoughts of Ralph, especially with his temptation to join the dancing and the boys with the meat. Ralph was tempted, but he didnt allow the temptation to get the better of him. This symbolizes Goldings idea that the evil inside people can be quashed if enough mental velour is found. Ralph and Jack are used as extremes- the former shows that evil can be defied; the latter just how far evil can take the human mind, especially when he and his tribe start hunting Ralph .Man has varying capacity for evil. Some can defy the beast, such as Ralph, some use it to gain power through fear, such as Jack, but only a few can recognize what it truly is.

Lord of the Flies was an exciting adventure into the nether region of the mind. Simon's demise, the beast within the boys, and the way Ralph was fervently hunted were all examples of William Golding's philosophy, that society was inherently evil. A well thought novel that depicted the evils of human nature. Lord of the Flies showed that the evil residing within everyone could be unleashed. It proved the dark side of human nature could be as vicious and as terrifying as the unknown it itself, and even the most innocent of us are vulnerable to it.

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Art history commanaders vs warriors

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Commanders Versus Warriors

The art work left by the ancient Egyptians during the Predynastic and Old Kingdom periods were very similar. The Predynastic period preceded the Old kingdom roughly in the years of twenty five hundred B.C. The art work during these time periods followed a set of rules, called the Canon, regarding proportions and the human figure. The same rules were followed during both period, but it is evident that the artists of the New Kingdom where changing and fiddling with the Canon ever so slightly. "The Palette of King Narmer," from the Predynastic period, and the "Painting relief of Ti watching a hippopotamus hunt," from the New Kingdom, are excellent examples of a shift in the way powerful people were displayed in art work, yet were still very similar. Powerful people, such as kings, priests and officials, were displayed disconnected from others much more during the New Kingdom than the Predynastic period.

The "Palette of King Narmer" is a phenomenal representation of the Predynastic period, as it came from Hierakonpolis, Egypt during the years three thousand to twenty nine twenty B.C.. It shows the power of King Narmer during a war between upper and lower Egypt. King Narmer is shown victorious in battle as he kills an enemy on one side of the Palette. Above, his name is written in hieroglyphics, and a bird watches over king Narmer. Behind him, a much smaller figure, most like a servant, stands. On the backside of the palette large serpents are intertwined in the center. The painting is divided horizontally into sections. The serpents lie in the middle section. On the top section King Narmer's army is shown victorious.

The "Painted relief of Ti watching over a hippopotamus hunt" is painted on limestone, and lies in the mastaba of King Ti, which dates back to twenty four fifty B.C. in Saqqara, Egypt. It has a lot of structural similarities to King Narmer's palette. King Ti is a larger figure on a boat in the center of the painting. His soldiers are sown much smaller on a separate boat. They are located in the Nile River. There are not as many characters in this painting when compared to the other. There are also no hieroglyphics, but color was added to this painting.

Both of the works have a central figure that the art work is centered around. It can be inferred that these central human figures in the middle are King Narmer and King Ti respectively. Both are displayed much larger than any other figure in terms of proportions. The viewer is automatically drawn into this central figure. This is what the artist wants to accomplish. He or she wants to glorify the people in power so that there legacy may live on. The magnitude of the king's power is the main idea the artist wishes to express. King Narmer is displayed larger than any other figure on both sides of the palette. This idea was followed by the artist who created King Ti's painted limestone. King Ti was also portrayed larger than any other figure following the principles presented in the Canon. The pose, or body position of the two kings is he same. Both men are profiled on the palette and limestone respectively. They create a triangle with there position. The legs are the sides of the triangle and the head is the tip. The profiles of the two men are almost exactly the same. Both men have one arm up and one arm down but King Ti has his right arm up and King Narmer has his left arm up. However, one subtle difference is King Ti is shown in color on the limestone whereas King Narmer is in all gray on the palette. The space between the characters is very similar in both works. Each has the main character front and center, and the small, less important figures, just off behind the main character. It adds a bit of a depth perception to the viewer. . These basic similarities carry on the tradition presented by the Canon.

The ways in which the two kings are incorporated and interact with the rest of the painting are very different. . How the two kings use their powers are much different. King Narmer appears to be much more of a warrior, a conqueror, whereas king Ti appears to me a commander. King Narmer is in the thick of things, as he holds his weapon high and makes an enemy kill. He is right in the heat of battle with his soldiers and it looks as if he is the sole person to conquer an entire army of enemies. King Narmer is separated from his soldiers, and he carriers no weapon at all. He is disconnected from his soldiers. The King is in a separate boat. This gives the feeling that he believes he belongs in a separate tier than the ordinary men. One does not get the feeling that he is doing the work to be known as a conqueror, but more as a commander of troops. One certainly believes that King Narmer is a warrior. He is in a different boat than the rest of his soldiers. The idea behind the leaders and what there role was changed during the Old Kingdom.

King Ti wanted to be remembered differently than King Narmer. This can be inferred by the viewer because of the change in styles between the Predynastic period and the Old Kingdom. They had different views of leadership, but yet they show the same power and importance that each leader has in society. The Predynastic period contained a much more active leader in warfare, as there leader was in the center of the trenches of war. This period glorified the leader for his conquests. The Old Kingdom was different in the leader seemed to be alienated from his people as he had his own boat in the river Nile. Even though the two periods use the same Egyptian Canon, they have different ideas of what a leader is, and different ideas of warfare and hunt.

Please note that this sample paper on art history commanaders vs warriors is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on art history commanaders vs warriors, we are here to assist you. Your cheap custom college paper on art history commanaders vs warriors will be written from scratch, so you do not have to worry about its originality.

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